• # 1 Album Hilang Sudah IZZU BAND

    Sevenstrings Production

  • #1 ALBUM Lupakan IZZU BAND

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  • #1 ALBUM Tak Sedikit IZZU BAND

    Sevenstrings Production

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  • #1 ALBUM Pagi Yang Indah IZZU BAND

    Sevenstrings Production

Jumat, 23 Desember 2011

History

Posted by IZZU BAND on 10.57


Sebelum bergabung bersama izzu band di tahun 2010 akhir, dulu sempat bergabung bersama mozza band dari tahun 2006, sampai 2009. pengalaman bersama mozza band, kita manggung dari event ke event, mall ke mall, & sempat ikut kompilasi band hotelier jakarta, & mozza pun lolos audisi, & masuk band kompilasi hotelier jakarta tersebut, tapi gada perubahan yang signifikan, & akhir nya kita memutuskan untuk buat recording sendiri & memasukan semple-sample ke label-label besar yang ada di jakarta. tapi di dalam personil nya sendiri ada salah satu perselisihan karena yang tak sepaham. hingga mengakibatkan terjadi nya perpecahan, & band itu pun bubar dengan sendiri nya. & di awal tahun 2010 membentuk grup band lagi yang nama nya ga jauh beda, yaitu nupoza, dengan personil yang baru kita bentuk sebuah grup band, sempat berjalan di dunia recording, tapi ga bertahan lama karena personil nya sebagian ga bisa membagi waktu nya untuk band nupoza tersebut, & akhir nya band itu pun bubar dengan sendiri nya juga, hingga akhir nya salah satu band yang di namakan izzu band menawar kan saya untuk masuk di grup izzu band tersebut. hingga sekarang saya pun melangkah bersama personil-personil izzu band yang sangat solid & penuh semangat untuk memajukan music indonesia dengan warna yang berbeda ala izzu band, yang insya allah bisa di terima dikalangan masyarakat menengah, atas & bawah.





Berawal dari sebuah pertemanan,nongkrong bareng,begadang sambil bermain gitar. saat itu saya masih exis di sebuah perkumpulan musik arabian (GAMBUS) pada saat itu saya memainkan alat musik biola, dan mulai mencoba memberanikan diri memainkan alat musik keybord. dari situlah teman saya yang bernama firmansyah atau yang sering di panggil Vmen menawarkan saya untuk bergabung di sebuah group band nya yang pada saat itu bernama
GIGA band.
saya pernah bermain di group musik marawis DARUL ULUM SMK PGRI 15 JAKARTA sebagai beking vocal, bermain d group musik gambus AL-IKHWAH bermain biola, bermain di group musik AL-YAMIM bermain biola, bermain di group musik gambus AL-FALLAH bermain keybord, bermain d group musik gambus ATTAHIYAH bermain keybord.
Dengan sedikit malu-malu dan minder saya pun menerima tawaran tersebut untuk latihan bersama dan bergabung di group band mereka, jujur pada saat itu saya pun tidak pernah tahu dan tidak pernah suka dengan yang namanya bermain band,karna sejak masa-masa sekolah dulu saya sudah terlanjur suka dan cinta dengan yang namanya musik-musik arabian (gambus). Singkat kata saya pun mulai bergabung dan latian bersama dengan giga band, awalnya memang saya agak kagok dan grogi tidak seperti di saat saya bermain gambus.akan tetapi dengan seiring berjalanya waktu saya pun mulai terbiasa dan merasa nyaman, karena dari anak-anak band nya tersebut terus mensupport dan mendukung saya, pada saat itu personil band tersebut terdiri dari Vmen (gitar), gebex (drum), ipunk (bass), abau (melodi + vocal), dan saya sendiri di
posisi (keybord). Sukses *IZZU BAND*

personil picture

Posted by IZZU BAND on 06.47

Rabu, 21 Desember 2011

Posted by IZZU BAND on 23.23

VOCAL
Nama panggilan : Chaper
Nama lengkap : Chandra permana putra
Usia : 27 th
Tempat/ tgl, lahir : Bandung, 20 - Mei- 1984
Alamat : Jl, Abdurahman Saleh , Rt, 009/ Rw, 001
Kel, Jurumudi, Kec, Benda
Tangerang
Pengalaman di musik : Grey band th, 2007 &
bergabung dengan Izzu band th, 2009

DRUMM
Nama panggilan : Gebex
Nama lengkap : B.Wahyudiningrat
Usia : 32 th
Tempat/ tgl, lahir : Jakarta, 21 - November - 1978
Alamat : Jl, Angke Barat Rt, 016/ Rw, 001
Kel, Angke, Kec, Tambora
Jakarta Barat
Pengalaman di musik : Grey band th, 2007 &
bergabung dengan Izzu band th, 2009

LEAD GUITAR
Nama panggilan : Abau
Nama lengkap : Abu Madian
Usia : 26 th
Tempat/ tgl, lahir : Jakarta, 03 - Maret - 1985
Alamat : Jl, Al Mubaro K3 Rt, 003/ Rw, 02
Kel, Joglo, Kec, Kembangan
Jakarta Barat
Pengalaman di musik : Grey band th, 2007 & Glee band th, 2008
bergabung dengan Izzu band th, 2009

KEYBOARD
Nama panggilan : Bayot
Nama lengkap : Ubaydillah
Usia : 26 th
Tempat/ tgl, lahir : Jakarta, 1 - Oktober - 1985
Alamat : Jl, Sahabat Baru Rt, 009/ Rw. 01 No.
: Kel, Duri Kepa, Kec, Kebon Jeruk
: Jakarta Barat
11510
Pengalaman di musik : Pernah bergabung dengan grup Gambus
bergabung dengan Izzu band th, 2009


RHYTHM GUITAR
Nama panggilan : Vmen
Nama lengkap : Firmansyah
Usia : 26 th
Tempat/ tgl, lahir : Jakarta, 02 - Februari 1985
Alamat : Jl, Sahabat Baru Rt, 003/ Rw, 01 No. 60
Kel, Duri Kepa, Kec, Kebon Jeruk
Jakarta Barat
11510
Pengalaman di musik : Pernah bergabung dengan Grey Band th, 2007
bergabung dengan Izzu band th, 2009


BASS
Nama panggilan : Ipunk
Nama Lengkap : Syaifullah
Usia : 23 th
Tempat/ tgl, lahir : Jakarta, 02 - Februari - 1988
Alamat : Jl, Sahabat Baru Rt. 009/ Rw. 01 No. 51
Kel, Duri Kepa, Kec, Kebon Jeruk
Jakarta Barat
11510
Pengalman di musik : Pernah bergabung dengan ( RETURN )
tahun 2005
bergabung dengan Izzu band th, 2009




Rabu, 07 Desember 2011

Unlock your brain's hidden power!

Posted by IZZU BAND on 09.04

Unlock your brain's hidden power!

Unlock your brain's hidden power!

Creativity not flowing? You know it's in there, but can you get it out and into your recording?



You probably know the feeling. You've got the first few lines of a new song, but somehow the rest just won't come. And the harder you try, the more your brain seizes up and blocks the free flow of creativity.

It isn't that your brain has suddenly lost its creativity. You have what writers call 'writer's block' (as though no-one else ever suffers from it). So what can you do?

Here are three brain unblocking techniques, all tried, tested and proven to work...

Lateral thinking

First popularized by Edward do Bono, lateral thinking seeks to work around a problem rather than hitting it head on.

Let's say you have written the first half of the lyrics of a verse, but you're stuck on the second half. OK, reach for a broadsheet newspaper. Or a fat thesaurus. Or anything that contains a lot of words in fairly random order (i.e. not a dictionary, although that's better than nothing).

Close your eyes, open up your random word source and put your finger on it somewhere. Take a look and see what the word underneath your finger is.

Now what you do is think of all the associations that word has with the topic of your song. Suppose the word was 'frog'. I don't know too many songs about frogs but I suppose Paul McCartney would tell you differently.

Frogs jump, they are often green, some are poisonous, they have long sticky tongues, they eat flies. Think of everything you can that is connected with frogs and look for links with your song. You'll be amazed how quickly you can come up with a creative idea that would otherwise not have occurred to you.

That's just one lateral thinking idea. Although de Bono's book is getting on in years now, it is still well worth a read.

Metronome practice

This one is completely different, but it demonstrates how the brain has power that is locked away and not available for conscious use.

Classical pianists often practise to the beat of a metronome. It is often wrongly thought that this is to help them play in time. Drummers would benefit from click-track practice, but playing the piano really should not be subject to such restrictions.

The true benefit of metronome practice is this...

Suppose you have a section of music that is difficult to play without hitting wrong notes. Slow practice is beneficial, but it doesn't necessarily lead to being able to play the passage at full speed.

So set a metronome to a tempo that is slow enough to play comfortably. Play the section a few times, then increase the tempo a couple of BPM. Play again a few times. Rinse and repeat, over and over.

Here comes the interesting bit...

At some point in the sequence of increasing tempi, you will find that your conscious brain can't handle all the data throughput. So some of the processing will be handed over to your subconscious brain. As you continue increasing the tempo, you will find yourself thinking less and less about where your fingers are going. They will seem to find the notes themselves.

Interestingly, this works for improvised playing too. Improvise to a slow beat, then increase the tempo bit by bit. Soon you will find music flowing from your fingers without conscious thought. It can almost seem a little spooky, as though someone else had taken control of your playing.

Riffing

The word 'riffing' can mean to play riff-based music. But it has another meaning related to improvisation.

Try this... Put a backing track together, or borrow a sample from someone else's music (just in private so no copyright issues). Four, eight, sixteen or thirty-bars work well. Make it loop round and round.

Now set up a mic and put some EQ, compression and reverb on it so that it sounds nice. Get a nice blend between loop and microphone on headphones (it seems to work better on headphones I find).

As the loop plays, start singing. Just start singing. Any old syllables will do and any old tune. Vary what you do. Go crazy.

Then start forming words. Force yourself to sing one word after another, in tempo with the music. Sing any word rather than let the mic fall silent. When the words are flowing, force them to start making sense.

Once again, your brain will be compelled to draw on its subconscious reserves. After a while of doing this, you will have the creative backbone of a new song, which you can further develop.

Over to you...

These are just three ways out of many to access the brain's hidden reserves. The human brain is an incredible resource that is often left largely untapped.

So how do you tap into your hidden brainpower?

Publication date: Friday July 22, 2011
Author: David Mellor


Discussion on this article's topic...

The facility to add comments has been disabled due to spam attacks. We regret this, but repeated and varied attacks have made it impossible to maintain this part of our service.

Bruce Boome, Durban, South Africa

One of my tricks is doodling on the piano (I'm a guitarist, and not too clever on the piano- hence no going to the automatic next chord). I often play the "what if" game and think (say) “what if I move the middle voice down a semitone”? I've come up with some killer chord sequences that way. Sometimes it takes a long time to come up with a tune- and even longer to come up with the lyrics, but it's a shame to waste a great chord sequence. Maybe I must try these other suggestions ;-)
Monday November 07, 2011

Josh, Iringa, East Africa,tanzania.

Thanks 4 Brilliant Ideas

Sunday October 23, 2011

Daniel Didi, Makurdi, Nigeria

tumbs up.. This aticle is so.. Inspiring it has giving me a greater clue on how i can counter moments in ma life when its like am runnin outta inspiration.
Now i can realy bounce back and be on top of ma game::
this is it::::.
Wednesday August 31, 2011


Simon Wood, London, England

that's some handy tips, I use that sort of process when scribbling lines. I find that if you stop, pen-poised your head goes blank, trying to find the ultimate next line. If you force your pen to not stop and just write any old thing it jumpstarts the brain to work. even if all you write is "I cant think of anything to write" you will deliver very quickly a killer line that rhymes with WRITE. I wonder if it's how Spandau came up with "why do I find it hard to write the next line" must be ok if multi platinum is a benchmark to work towards. Thanks, good article as always Mr Mellor
Monday August 01, 2011

Dave, Sheffield, S Yorks

Great article, & came just in time for me, Big Thanks, Dave

Selasa, 06 Desember 2011

Next Live Accoustic

Posted by IZZU BAND on 00.28







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